Sunday, 25 October 2026

Deep Sky Astrophotography Without a Tracker – Can You Do It with Just a Camera and Tripod?

Deep Sky Astrophotography Without a Tracker – Can You Do It with Just a Camera and Tripod?

Have you ever wondered what you could capture in the night sky using just a regular camera, a lens and a tripod, without an astro tracker?

Is it even possible to photograph deep sky objects this way?

The answer is yes! And honestly, the results can be pretty surprising, even to yourself.

Recently, I started wondering whether it was possible to photograph deep sky objects without all the specialist astrophotography gear. No equatorial mount, no tracking system, just a camera, a fast lens, a tripod and a bit of patience.

After watching a few YouTube tutorials, particularly those by Nebula Photos, I felt inspired to give it a go myself. I wanted to see what I could achieve with the equipment I already had, without spending money on additional gear.

I'm still very much a beginner when it comes to the night sky. I don't know my way around all the constellations and deep sky objects just yet, so some of my targets were chosen almost at random. I also used Stellarium to help me find objects in the sky, with a little help from ChatGPT when I needed ideas on what to photograph and where to look.

Sometimes, you just have to give something a go and see what happens!

My Setup – Nothing Fancy

For my first experiments, I used the following equipment:

  • Camera: Sony A7S II

  • Lens: Samyang 135mm f/1.8

  • Tripod: A standard photography tripod, with no tracking mount

  • Intervalometer: An external intervalometer to automate the shooting process

At first, you might think that 135mm isn't enough to capture interesting deep sky objects. I wasn't entirely sure what to expect either, but I was genuinely surprised by how much I could capture with this setup.

Of course, it's not going to compete with a dedicated astrophotography rig, but that's not really the point. I wanted to see what was possible with relatively simple equipment.

And as it turns out, there's quite a lot you can do!

Camera Settings

I kept things simple and started with the following settings:

  • Shooting mode: Manual

  • ISO: 6400 or higher, where needed

  • Aperture: f/1.8

  • Exposure time: 1 second per frame

  • Interval: 1 second between shots

Because I wasn't using a tracker, I needed to keep the exposures short to avoid star trails caused by the Earth's rotation.

Instead of taking a few long exposures, I decided to capture lots of short ones and combine them later using a technique called stacking.

This is where things started to get interesting.

First Target: The Pleiades (M45)

I decided to start with the Pleiades, one of the most recognisable objects in the night sky.

I set up the camera on the tripod, framed the target as best I could and started shooting using the intervalometer.

For this first test, I captured around 140 frames. I wasn't expecting anything spectacular. I simply wanted to see whether the whole process would work.

Once the shooting was finished, it was time to process the images.

And that's when I realised I had another thing to learn: astrophotography software!

Stacking the Images – This Is Where the Magic Happens

I started looking for software that could combine my images and help bring out the details hidden in the data.

My first attempt was with Siril, but I have to admit that I found it a little overwhelming as a beginner. I'm sure it's a very capable piece of software, but at that stage, I was looking for something a bit more straightforward.

After some searching, I came across Stacker Wizard and Astro Wizard. Both seemed much more intuitive to use, and the fact that they were free was another big plus.

So, I gave them a try.

When I first opened a single RAW file of the Pleiades, there wasn't much to get excited about. I could see the stars, along with some very faint details around them, but the image looked fairly unimpressive.

The Pleiades (M45)
The Pleiades (M45) 140 frames vs 1

It was hard to imagine that anything particularly interesting could come out of it.

Then I stacked all 140 images into a single image.

And that's when I was genuinely surprised!

After stacking and processing the images, details started to emerge that I could barely see in the individual frames.

It was a great reminder of just how much information can be hidden in what initially looks like a rather ordinary photograph.

Stacking works by combining multiple images of the same target, helping to improve the signal-to-noise ratio and reveal faint details that would otherwise be difficult to see.

And the best part? You don't necessarily need an expensive astrophotography setup to get started.

The Pleiades (M45)
The Pleiades (M45)

Sometimes, you just need to learn how to make the most of the equipment you already own.

Moving On to More Targets

Encouraged by the results from the Pleiades, I decided to try a few more objects.

My next targets included:

  • The Andromeda Galaxy (M31) – one of the most famous galaxies in the night sky.

  • The Flaming Star Nebula (IC 405) – a beautiful emission and reflection nebula in the constellation Auriga.

  • M38 – an open star cluster, also located in Auriga.

  • NGC 1893 – an open star cluster associated with the IC 410 nebula region.

This time, I increased the number of frames to around 300 images per target, keeping the camera settings fairly similar.

The Andromeda Galaxy (M31)
The Andromeda Galaxy (M31)

One important thing to mention is that I didn't move the tripod or reposition the camera during each shooting session. I wanted to keep everything as simple as possible and see what I could achieve without tracking.

Naturally, there are limitations to this approach. With such short exposures, each individual frame collects relatively little light, which can make faint objects particularly challenging to capture.


Even so, I found the whole process incredibly satisfying.

The images weren't perfect, and I certainly wasn't expecting professional results. My main goal was to experiment, learn something new and see how far I could push this simple setup.

And I'm glad I did!

Is Deep Sky Photography Without a Tracker Worth Trying?

Personally, I think it's absolutely worth a go.

Of course, there are limitations. Without a tracker, you can't use longer exposures without the stars starting to trail, and capturing faint nebulae and galaxies can be challenging.

But that doesn't mean you shouldn't try.

NGC 185

In fact, I think this is a great way for beginners to get into astrophotography. You can learn to identify objects in the night sky, experiment with stacking and processing, and gradually understand how the whole process works.

What surprised me most was how much detail could be extracted from images that initially looked almost empty.

It really changes the way you think about photography.

Instead of relying on a single long exposure, you can capture hundreds of short frames and combine them afterwards.

It's amazing what you can achieve when you start experimenting with the gear you already have.

What Have I Learned So Far?

After taking and processing several hundred images, I've come away with a few thoughts.

1. More Frames Could Make a Difference

Based on my initial experiments, I think aiming for at least 500 frames per target could be worth trying.

However, this is still just my initial impression rather than the result of a controlled comparison.

I'd love to compare a stack of 300 frames with one made from 500 frames, using similar conditions, to see how much difference the extra images actually make.

It would be interesting to see whether the improvement is clearly visible in the final image.

2. A Fast Lens Is a Big Advantage

The Samyang 135mm f/1.8 has been a great choice for these experiments.

The wide aperture allows me to capture as much light as possible while keeping the exposure time short enough to avoid noticeable star trails.

When you're shooting without a tracker, every little advantage helps.

3. You Don't Need Expensive Equipment to Get Started

A camera, a fast lens, a tripod and some free software can be enough to get your first taste of deep sky astrophotography.

You might not get the same results as someone using a dedicated tracking mount, but that doesn't mean you can't capture some interesting images.

For me, that's one of the most exciting things about this experiment.

4. Processing Is Just as Important as Taking the Photos

Taking the pictures is only half the job.

Stacking and processing the images can make a huge difference to the final result, especially when you're working with faint objects and very short exposures.

I'm still learning this part of the process, but it's already clear that there's a lot more to astrophotography than simply pointing a camera at the sky.

5. Don't Be Afraid to Experiment

This is probably the most important lesson I've learned so far.

You don't need to know everything before you start, and you certainly don't need the perfect equipment.

Sometimes, the best way to learn is simply to try something new, make a few mistakes and see what you can achieve.

That's exactly what I did, and the results have encouraged me to keep going.

What's Next? More Experiments Under the Stars

This is only the beginning of my deep sky astrophotography journey.

IC 405 Flaming Star Nebula
IC 405 Flaming Star Nebula

For my next experiments, I'd like to increase the number of frames to 500 per target and see whether this produces a noticeable improvement in image quality.

I'm also thinking about trying a 200mm f/2.8 lens.

The longer focal length would give me a tighter field of view, allowing me to frame some objects more closely and explore what else I can capture without using a tracker.

 

I'm particularly interested to see how it performs on some of the fainter nebulae and galaxies.

Perhaps I'll eventually invest in a tracker, but for now, I'm happy to keep experimenting with what I have.

After all, the whole point of this project was to find out how much could be achieved without specialist equipment.

And so far, it's been a lot more rewarding than I expected!

Final Thoughts

My first attempts at deep sky astrophotography without a tracker have shown me that you don't always need an expensive, complicated setup to get started.

Sometimes, all you need is a camera, a fast lens, a tripod and the willingness to try something different.

My images might not have the quality or detail of those produced by experienced astrophotographers, but that was never the goal.

I simply wanted to find out whether it was possible to photograph deep sky objects without a tracking mount.

And the answer is yes!

There's still a lot for me to learn, and plenty of room for improvement, but that's part of the fun.

M42 Orion Nebula/ IC 434 Flame Nebula/ NGC 207/ M78
M42 Orion Nebula/ IC 434 Flame Nebula/ NGC 207/ M78

I'm looking forward to seeing what I can achieve with more frames, different lenses and a bit more experience.

If there's one thing I've learned from this experiment, it's that you shouldn't be afraid to try something just because you don't have all the recommended equipment.

You might be surprised by what you can achieve.

Have you ever tried deep sky astrophotography without a tracker?

I'd love to hear about your experiences, the equipment you've used and any tips you might have for getting the most out of short exposures.

Feel free to share your thoughts in the comments!

Clear skies, and happy shooting! 🌌

Thursday, 8 October 2026

Stefan Skrzywan Park in Łódź – a hidden villa and a forgotten corner of industrial Łódź

There are places in Łódź that you could easily walk past without giving them a second thought.

Stefan Skrzywan Park is one of them.

Stefan Skrzywan Park in Łódź
Stefan Skrzywan Park in Łódź

It is small, tucked away between Wólczańska Street and Stefana Skrzywana Street, and at first glance it doesn't look like the sort of place you would come to specifically to see.

Friday, 25 September 2026

Rejtana Park in Łódź – a forgotten cemetery hidden beneath the ivy

Rejtana Park in Łódź – a forgotten cemetery hidden beneath the ivy

I found Rejtana Park almost by accident while staying in Łódź. I wasn't looking for it, and I certainly didn't expect to find a place that would leave me thinking about it long after I had walked away.

Rejtana Park in Łódź
Sony A7sII, Sony FE 35mm  f/1.8

At first, what caught my attention was how quiet it felt. The park is quite dark and heavily overgrown, with ivy covering large parts of the ground and climbing through the trees. There is something slightly mysterious about it. You can hear the city around you, but once you step inside, it feels strangely separate from it.

Thursday, 10 September 2026

Hook Head Lighthouse, Ireland: A Photographer’s Guide to Hook Head, Wexford

Hook Head Lighthouse is one of those places in Ireland that looks completely different depending on the weather. On a sunny afternoon, the black-and-white lighthouse, rocky coastline and Celtic Sea make it an easy place to fall in love with. But give the peninsula strong winds and rough seas, and you quickly understand why this coastline has always demanded respect.

Hook Head Lighthouse Ireland
Hook Head Lighthouse Ireland

Thursday, 27 August 2026

Slade, County Wexford: Slade Castle, Harbour and a Quiet Coastal Walk

 
Slade Castle and harbour in County Wexford Ireland
Sony A7sII, Sony FE 35mm  f/1.8

I arrived in Slade on a sunny afternoon, expecting to spend perhaps an hour there. The village is small,

Thursday, 13 August 2026

2026 Solar Eclipse in Ireland: Chasing the Eclipse at Lough Tay, Wicklow

On 12 August 2026, Ireland experienced one of the deepest partial solar eclipses visible from the country in decades. I headed to Lough Tay in County Wicklow to photograph the 2026 solar eclipse over one of Ireland’s most iconic landscapes.

At 5 PM on August 12, 2026, I was still at work.

A few hours later, I was standing in the Wicklow Mountains with three cameras, three tripods and a slider, waiting for the Moon to pass in front of the Sun.

Solar Eclipse at Lough Tay, Wicklow Ireland
Nikon Z7, Nikkor 80-400mm

The plan was simple: get to Lough Tay, set everything up, capture the partial solar eclipse with the Wicklow Mountains in the frame, and hopefully come home with some good timelapse footage.

Wednesday, 12 August 2026

Mizen Head, Ireland – Where the Wild Atlantic Begins

Some places impress you with famous landmarks. 

Others stay with you because of the way they make you feel.

Nikon D7000, Sigma 10-20mm f/4-5.6

Thursday, 6 August 2026

Molly’s Cottage, Black Valley Kerry – A Peaceful Photography Location in Ireland

Sometimes the most memorable places are not the busiest attractions, but the quiet ones where you can slow down, look around and simply enjoy the moment.

Hidden deep in the Black Valley in County Kerry, surrounded by the dramatic mountains of MacGillycuddy’s Reeks, Molly’s Cottage is one of Ireland’s most atmospheric abandoned cottages and a dream location for landscape photographers.

Molly's Cottage, Black Valley –  County Kerry
Nikon D750, Nikkor AF-D 20mm
Our visit was not about rushing from one place to another or following a strict itinerary. It was about taking our time, enjoying the incredible scenery and capturing the unique mood of this remote corner of Ireland.

Wednesday, 5 August 2026

Discovering Ballintoy Harbour – One of Northern Ireland's Most Photogenic Coastal Villages

Some places leave an impression long after you have returned home, and Ballintoy is certainly one of them.

During my journey along the spectacular Causeway Coastal Route, I discovered this small harbour village on the north coast of County Antrim. Surrounded by dramatic cliffs, rocky shores and the endless Atlantic Ocean, Ballintoy combines breathtaking scenery with a peaceful atmosphere that makes you want to stay much longer than planned.

For photographers, walkers and anyone who enjoys wild coastal landscapes, Ballintoy is one of the highlights of Northern Ireland.

Discovering Ballintoy
Sony A7sii, Sony Zeiss Vario-Tessar T* FE 24-70 mm f/4 ZA OSS

Ballintoy Harbour – A Small Harbour with a Big Reputation

The heart of the village is Ballintoy Harbour,

Friday, 24 July 2026

Can You Still Use Adobe Lightroom 6 Without a Subscription in 2026?

Many Lightroom users don’t realise that there is still a way to use this amazing software without paying a monthly fee.

But… there is a catch. Or maybe even a few! 😉

Lightroom Classic has always been a fantastic tool for organising, viewing and editing photos. We all know how powerful and comfortable it is when working with our images.

However, with every new update, higher computer requirements and increasing subscription prices, some photographers start thinking twice about continuing with Adobe.

Can Lightroom still be used without paying a monthly subscription? 

But there is another option — and yes, I’m still talking about Adobe Lightroom Classic.

Lightroom without a subscription… is it still possible?

 

So what is the catch?

Tuesday, 24 March 2026

Rock of Cashel, Ireland: A 2008 Photograph from Hore Abbey

Some photographs become more valuable with time. Not because they are technically perfect, but because they preserve a moment that can never be photographed again.

I took this photograph of Rock of Cashel in County Tipperary, Ireland, in 2008, from the ruins of Hore Abbey.

At the time, I didn't know I was creating an image that I would still be looking at almost twenty years later.

Rock of Cashel photographed from the ruins of Hore Abbey in County Tipperary Ireland in 2008
Rock of Cashel from Hore Abbey, Ireland – 2008

Wednesday, 18 March 2026

Back to 2018 – Analog Dublin on Fuji Acros 100 Film

Revisiting old photographs is always a unique journey through time. This time, I went back to 2018, when I was walking the streets of Dublin with my Nikon F80, capturing everyday life on black and white Fuji Acros 100 film.

 

Back to 2018 – Analog Dublin on Fuji Acros 100 Film

It was a slower, more mindful way of shooting

Wednesday, 18 February 2026

Autumn in the mountains feels alive.

Water carving its way through stone, clouds gathering above the peaks, the forest glowing in the last warm tones of the season.
Everything is moving, rushing, breathing — wild and untamed.
Standing here, you don’t chase the moment… you simply let the river carry it past you.

Mountain river with smooth flowing water over rocks, pine trees, and misty peaks in autumn in the Canadian Rockies, British Columbia.

 

Canadian Rockies, British Columbia.

Thursday, 12 February 2026

Glendalough Upper Lake, Wicklow Mountains — Ireland.

Under the full moon, the valley forgets about time.
No wind, no footsteps — only the quiet breath of water and the soft glow of silver light spilling across the mountains.

 

Glendalough Upper Lake, Wicklow Mountains — Ireland.
 

 Stars linger above while the lake mirrors the night like glass.
Moments like this feel less like photography… and more like listening to the earth sleep.


Wednesday, 5 November 2025

Double win for 'Silent Wicklow'! 🏆

 I'm incredibly proud to announce that my film, "Silent Wicklow," has been selected as the Best Timelapse Film Sagrada Familia winner at the prestigious Barcelona Planet Film Festival!


This is the second award for this project, and it truly validates

Sunday, 2 November 2025

Journey Through the West of Ireland – Connemara, Belmullet & Achill Island (2015)

 Back in 2015, I set out on a photographic journey through the western part of Ireland — to places that, even now, I consider among the most remarkable on the island. The regions of Connemara in County Galway and Belmullet and Achill Island in County Mayo captivated me with their raw beauty, ever-changing light, and the kind of silence you find only where the road ends and the ocean begins.


 It was in these landscapes that I

Wednesday, 8 October 2025

Wicklow Stories Film Festival 2025

 Fantastic news!
I’m thrilled to announce that my latest timelapse film, “Silent Wicklow,” has been officially selected for the Wicklow Stories Film Festival 2025!

 

The festival will take place on Saturday, 15th November 2025

Monday, 6 October 2025

Discover Nisyros Island, Greece – Mandraki, Volcano & Stefanos Crater (Drone 4K)

Discover Nisyros Island, Greece.

Nisyros Island is one of the hidden gems of the Dodecanese in Greece. Unlike its famous neighbors Kos or Rhodes, Nisyros remains quieter, more authentic, and deeply connected to its volcanic origins. This small island in the Aegean Sea combines picturesque villages, breathtaking landscapes, and the dramatic power of a still-active volcano.

In this article, I will take you on a journey across Nisyros – from the charming town of Mandraki to the legendary Stefanos Crater – accompanied by stunning 4K drone views.

Discover Nisyros Island, Greece – Mandraki, Volcano & Stefanos Crater

 

Mandraki – the heart of Nisyros

Mandraki is the island’s capital and main port. Whitewashed houses

Sunday, 14 September 2025

Stormy Seas and Wild Beauty at Greystones

 Today’s walk along the shore at Greystones was something special — the kind of day where nature reminds you who’s in charge. The wind was wild and persistent, the rain pouring down, waves crashing with a powerful drama. Even in that rawness, there was beauty: I spotted a few seals bobbing through the surf, birds riding the gusts, and the sea in moods of grey, silver, and foam.

Stormy Seas and Wild Beauty at Greystones

 
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